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In rock and other related genres, bands often have multiple electric and/or acoustic guitar players to perform the different musical parts, such as instrumental melodies, "licks", riffs, guitar solos, and chords. The band can divide up the roles by assigning one or more performers the role of lead guitar and assigning another guitarist (or several guitarists) the role of rhythm guitar. Alternatively, two or more guitarists can share the lead and rhythm roles throughout the show, or both guitarists can play the same role ("dual lead guitars" or "dual rhythm guitars"). There are several ways that multiple guitar players are used. In the standard configuration used in many rock, hard rock, and metal bands, a lead guitar player performs melody lines and guitar solos and one (or sometimes more) rhythm guitar player(s) plays chords or riffs as an accompaniment. The rhythm guitar part outlines the chord progression of a song and provides a rhythmic pulse. The Beatles-style quartet consisting of two electric guitars, an electric bass, and drums has become the standard formation for rock groups. "Since then, bands as varied as the Clash, Television, Thin Lizzy, The Replacements, Kiss, Foo Fighters, Queens of the Stone Age, and modified quartets with singers like the Yardbirds, Aerosmith, the Rolling Stones, and AC/DC have explored and refined the interplay of dual guitars. The musical exchange between instruments has become so seamless that identifying tags such as lead guitar and rhythm guitar almost no longer applies." [1] In many heavy metal subgenres and occasionally in other genres, bands may use two lead guitarists. Some bands use the two lead guitars to play two independent melody lines, which creates interweaving counterpoint, while other bands use one lead guitarist to perform instrumental melodies while the second lead guitarist adds lead embellishments and improvised flourishes. In some bands, the two guitarists may play previously composed lead lines or riffs in harmony, usually in diatonic thirds or sixths. This practice has been extended to the point where some guitarists compose solos before performing them (as opposed to improvising), which allows the entire solo to be harmonized in this manner. In Russell Hall's article 10 Great Dual Lead Guitar Albums, he discusses albums with "spectacular dual lead guitar work", including Derek and the Dominos' Layla and Other Assorted Love Songs (1970), which paired Eric Clapton and Duane Allman; Wishbone Ash's Argus (1973)and Thin Lizzy's Jailbreak (1976), which were an early use of "dual-guitar harmonies"; Lynyrd Skynyrd's Second Helping (1974), which had "three guitars parlaying swampy Southern blues"; and the Allman Brothers' At Fillmore East (1971), in which "Duane Allman teamed with Dickey Betts to craft tangled solos that combined blues rapture with the improvisational ethos of jazz." He also praises proto-punk or punk-influenced albums, such as Lou Reed's Rock 'n' Roll Animal (1974), which is "powered by a dual lead guitar tapestry crafted by Dick Wagner and Steve Hunter"; Television's Marquee Moon (1977), which used a "jaggedly brilliant twin-guitar approach" of Tom Verlaine and Richard Lloyd; and Sonic Youth's Daydream Nation (1988), in which the two guitarists blended "ringing harmonics, molten distortion, and alternate tunings". Iron Maiden's masterpiece, Number of the Beast, was propelled by Bruce Dickinson’s operatic vocals and the dynamic, blistering two-guitar swirl of Dave Murray and Adrian Smith. [2]
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